Journal of the stylistic of Persian poem and prose
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address: Tehran Post Box 1558-14665
Email: info@bahareadab.com
About the Journal
The Journal of the Stylistic of Persian Poem and Prose (former Bahar-e-Adab) is an open-access monthly publication focusing on the specialized field of Persian prose and verse stylistics. Founded by Dr. Omid Majd, this private monthly magazine published its first issue in the autumn of 2008 and, with the valuable scientific credentials of esteemed members of the editorial board, as well as the rich and valuable articles submitted by distinguished researchers, it achieved a valuable scientific-research rating in the summer of 2009 after a year and a half. This journal follows the Committee on Publication Ethics (COPE) and complies with the highest ethical standards by ethical laws. read more about this publication
Journal Metrics
Publication start year 2008
ISC Quartile Q2
ISC - Impact Factor 0.152
Issue per year 12
Published articles 180
Acceptance rate (%) 19.4
Research papers 1,675
Article view 2,840,983
PDF download 1,286,058
No. of pages 35,175
No. of references 26,800
volume Number 14، ، issue Number 70 ، page Count 250 XML شناسنامه و فهرست مجله فارسی
  • 1 . Investigating conversation style in Anvari’s poem

    • Seyyedeh Samira Seyyed Khoshk Bijari (Author in Charge)

    • Page 1-17
    BACKGROUND AND OBJECTIVES: conversation and debate are among the main methods used by poets and authors to express what is in their mind. In this study, we aim to investigate conversations in Anvari’s poems (30 poems: 28 stanzas and 2 odes). ...
  • 2 . Stylistic study of the manuscript of the Kermani Vali 's Divan

    • Masoumeh Vafaeinia , Reza Ashrafzadeh (Author in Charge), Javad Mehraban Ghezelhesar

    • Page 19-39
    BACKGROUND AND OBJECTIVES: Kermani governor was one of the poets of Safavid period, contemporary with the reign of Shah Safi and Shah Abbas II. No information is available about his life. There is only one manuscript of his divan in the Libra...
  • 3 . Reflection of Imam Mohammad Al-Ghazali's thoughts in the Sanai Hadiqah

    • Seyyed Ali Moradi (Author in Charge), Seyyed Ahmad Parsa

    • Page 41-57
    BACKGROUND AND OBJECTIVES: Sanai Ghaznavi, in addition to his stellar position in mystical literature, is one of the great scholars and thinkers in the field of ethics as well as Islamic thought, especially in mystical poetry of poets with st...
  • 4 . Textual and stylistic study of Shams al-Lali Manuscript in rhetoric

    • Mojtaba Saadat , Maryam Mahmoudi (Author in Charge), Mehrdad Chatraei

    • Page 59-73
    BACKGROUND AND OBJECTIVES: Criticism of rhetorical works is one of the most important fields of literary studies. The manuscript of Shams al-Lali is one of the sources of Persian rhetoric in the twelfth century AH, which has remained in the v...
  • 5 . Theatrical capabilities of Ferdowsi's Shahnameh (with a case study of the story of Bijan, Manijeh and Siavash)

    • Omal-Banin Dashti Rahmatabadi , Mahboubeh Zia Khodadadian (Author in Charge), Batool Fakhraslam , Mehdi Norouz

    • Page 75-92
    BACKGROUND AND OBJECTIVES: Stories, legends and myths of ancient Iranian literature are considered as a rich support of dramatic literature. Shahnameh, in terms of aesthetic dimensions and structural and linguistic features, has valuable capa...
  • 6 . Stylistic study and analysis of the manuscript of "Meraat Al-Salkin" by "Mir Baba Darvish Naqshbandi"

    • Mohammad Taghi Maghsoudi , Ahmad Reza Yelmehaha (Author in Charge)

    • Page 93-111
    BACKGROUND AND OBJECTIVES: Manuscripts are valuable treasures of the cultural heritage of each nation and the result of the worldview of each of the poets and writers. It is very important to revive the ancient manuscripts and remove the obli...
  • 7 . Qajar Khavar Divan and its style features

    • Zahra Madahi , Hossein Azarpayvand (Author in Charge), Saeed Khairkhah

    • Page 113-133
    BACKGROUND AND OBJECTIVES: The Eastern Qajar Divan is one of the most precious stones of the 13th century. Unique copies of this poet"s divan are available in the Library of the National Assembly, the Golestan Museum Palace, Astan Quds and th...
  • 8 . Semantic coherence in the romantic lyric of Hossein Monzavi

    • Zahra Talebloo , Mohsen Zolfaghari (Author in Charge), Hojjatullah Omid Ali , Zahra Rajabi

    • Page 135-154
    BACKGROUND AND OBJECTIVES: Following a logical course in form and meaning causes harmony and connection between different components of poetry, which can be extracted by identifying and analyzing the factors used in the text. This study, whil...
  • 9 . “Introducing Saeed Naqshband-e Yazdi along with the stylistic features of his Collection of Poems”

    • Fatemeh Sadat Taheri (Author in Charge), Razieh Rezaei Tafti

    • Page 155-180
    BACKGROUND AND OBJECTIVES: Style means a special method that a writer or poet uses to explain his thoughts and emotions, and stylistics is the knowledge that study a work in choosing words and phrases, in use of grammatical rules, imply liter...
  • 10 . Specialized Monthly of Poetry, Order and Prose (Spring of Literatur) Existential imagery in the stories of Gholam Hossein Saedi

    • Mahmoud Bashiri , Niloufar Ansari (Author in Charge)

    • Page 181-195
    BACKGROUND AND OBJECTIVES: Attention to existence has a special place in the works of Gholam Hossein Saedi because it shows sociality and concern for existence. Although the author seeks to break the shackles and dependencies, he has also used...
  • 11 . Analysis of Ashura style in Tabari history based on Randall's theory of fictional intelligence

    • Zahra Azizi Dehno , Soraya Ghotbi (Author in Charge), Farideh DavoudiMoghadam

    • Page 197-215
    BACKGROUND AND OBJECTIVES: Ashura style is a kind of historical monograph in which the martyrdom of Imam Hussein (AS) and his companions from the beginning to the end is discussed. Ibn Jurayr Tabari is one of the Sunni historians in the fourt...
  • 12 . Extensive use of the Allegory and its novelties; One of the features of the Khosronameh

    • Neda Najafi , Manouchehr Akbari (Author in Charge)

    • Page 217-232
    BACKGROUND AND OBJECTIVES: Khosronameh is a poetic and romantic work that some have attributed to Attar and others have rejected this attribution. In the meantime, what is clear and recognizable is the difference in the content of this poem w...