Journal of the stylistic of Persian poem and prose
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address: Tehran Post Box 1558-14665
Email: info@bahareadab.com
About the Journal
The Journal of the Stylistic of Persian Poem and Prose (former Bahar-e-Adab) is an open-access monthly publication focusing on the specialized field of Persian prose and verse stylistics. Founded by Dr. Omid Majd, this private monthly magazine published its first issue in the autumn of 2008 and, with the valuable scientific credentials of esteemed members of the editorial board, as well as the rich and valuable articles submitted by distinguished researchers, it achieved a valuable scientific-research rating in the summer of 2009 after a year and a half. This journal follows the Committee on Publication Ethics (COPE) and complies with the highest ethical standards by ethical laws. read more about this publication
Journal Metrics
Publication start year 2008
ISC Quartile Q2
ISC 0.152
Issue per year 12
Published articles in year 180
Acceptance rate (%) 18.6
Research papers 1,730
Article view 3,110,448
PDF download 1,383,380
No. of pages 36,330
No. of references 27,680
volume Number 13، ، issue Number 54 ، page Count 297 XML شناسنامه و فهرست مجله فارسی
  • 1 . Stylistic Analysis of Rashidi's History by Mirza Mohammad Heydar Doglat

    • Behrouz Baik Babaei (Author in Charge)

    • Page 1-22
    The knowledge of stylistics provides the researcher with the opportunity to reach the different layers of the author"s intellectual system in a methodical way. In the foregoing research, relying on library and documentary studies and using an indu...
  • 2 . The Investigation of Orientational Metaphors in "Dreams from my Father"

    • Jalil Ghiasi , Mohammadreza Oroji (Author in Charge), Behzad Rahbar

    • Page 23-39
    Metaphor is traditionally defined as a figure of speech that makes a comparison, for rhetorical effect, between two things that are fundamentally dissimilar. Today, metaphor receives scholarly attention in various fields of sciences including cogn...
  • 3 . Introduction and analysis of the manuscript of divan of Moflegh Tehrani

    • Hossein Asadi , Mansoreh Sabetzadeh (Author in Charge), Ali Reza Salehi

    • Page 41-67
    The manuscripts include historical, political, social and literary information for researchers. One of these manuscripts is the Diwan of Mirza Mohammad Ali Donboli, Under the pseudonym of Moflegh Tehrani in the Qajar era and the literary return pe...
  • 4 . The wisdom and dimensions of it in the "betweenadded" of Ferdowsi's Shahnameh

    • Khadijeh Khosravi (Author in Charge), Jalal Khaleghimotlagh , Ali Imani

    • Page 69-84
    It is true that everyone knows Shahnameh as an epic work and it is referred to as a heroic work, but in fact, the main mission of Ferdowsi in writing of Shahnameh is to communicate his spirituality, which is nothing but self-contemplation and the ...
  • 5 . Artistic word play as a neglected indicator of Bīdel Dehlavī’s style

    • Abdollah Valipour (Author in Charge), Zahra Sadat Gheybi , Roqaieh Hemmati

    • Page 109-129
    Bīdel Dehlavī’s poetry is one of the rarest poems of all Persian poetry. There are several factors involved in the complexity and difficulty of Bīdel’s poetry, which most of them, in turn, form his stylistic categories; one of the factors that unde...
  • 6 . Stylistic study of the manuscript version of "Gharaeb-o-Alasrar" by "Khandamir"

    • Sotoodeh Emami , Ahmad Hasani Ranjbar Hormozabadi (Author in Charge), Ali Asghar Halabi

    • Page 131-144
    The literary analysis of manuscript Gharayeb-ol-Asrar by Ghyasuddin Khandmir, the grand child of Mirkhand, author of Rawzat-ol-Safa. He was one of the most famous historians and author of the end of Timurid and beginning of Safavid period. 10...
  • 7 . Study the style and content of the historical epic "Zafarnameh" by Hamdollah Mostofi

    • Soheyla kashani , Majid Hajizade (Author in Charge), Dariush Kazemi

    • Page 145-167
    During the Mongol period, due to the special morale of the Mongols, the elimination of the Abbasid caliphate, the weakening of national tendencies, the gradual change of Iran"s socio-political conditions and the spread of the historiographical mov...
  • 8 . Motif, its types and functions in stories of 1320-1330

    • Abbasali Hallaji , Mohammad Taghavi (Author in Charge), Maryam Salehinia

    • Page 169-191
    One of the elements which has a vital and relatively novel function in the analysis of contentand structure of literary works is motif. The recognition of this device as one of themost common expressions in art and literature is important due to i...
  • 9 . Demonic forces in the Shahnameh and their demonstrations

    • Mohammad Reza Miri (Author in Charge), Umar Safar

    • Page 193-218
    Metaphysics has appeared in the Shahnameh, in one of the perspectives, in the form of a conflict between the forces of good (Divine) and the forces of evil (the devil). That is why in most of the stories of Shahnameh, the footprints of one of the...
  • 10 . A look at the poetic style of thirteenth-century poets based on the Mehake shoara biography of the poets Written by Mohammad Saleh Shamlou Khorasani

    • Mojgan Matinzadeh , Zahra Riahi zamin (Author in Charge)

    • Page 219-244
    The Educated poet land of Iran in the thirteenth-century AH, which coincides with the Qajar dynasty in Iran, as in previous periods, has nurtured many poets. Due to the historical proximity of this period, there are relatively many biography of the p...
  • 11 . The place of love in Salman Savage's intellectual level sonnets Based on the division of love in Abhar al-Ashqin Roozbehan Baghi Shirazi

    • Mansour Jalili , Rahim Taher (Author in Charge)

    • Page 245-266
    Love is one of the most fundamental themes of Persian mysticism and poetry, and its earthly and heavenly forms in poetry and mysticism have produced excellent themes and beautiful interpretations. In the thinking of Ruzbahan Baqli Shirazi and Salm...
  • 12 . Existence style reflection in Sadegh Chubak's works

    • Niloofar Ansari , Abdallah Hasanzade Mir Ali (Author in Charge), Esmat Esmaeili

    • Page 267-286
    Much of the existential style indicators of "death, suffering, fear and sin" exist in the works of Sadegh Chubak. The author tries to portray the ugliness and inequality of society in the eyes of the readers, in addition to depicting the consequen...