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- آدرس کوتاه شده مقاله: https://bahareadab.com/article_id/1692
- کد doi مقاله: Doi: 10.22034/bahareadab.2024 .17 .7417
Journal of the stylistic of Persian poem and prose
volume Number 17،
number In Volume 7،
،
issue Number 101
The discovery of Sohrab Sepehari's anti-Utopia in the book of Marge Rang
Narjes Sadat Ekrami , Mehdi Norooz (Author in Charge), Ayat Shokati , Farzad Abbasi
Abstract
BACKGROUND AND OBJECTIVES: Color can be considered as a means of conveying feelings for Sohrab Sepehri, who is a poet-painter. In his first book called "Marge Rang", he talks about the world of colorlessness, and the death of colors is evident in it.
METHODOLOGY: The purpose of writing this article is to discover the characteristics of his anti-utopia, which by exploring his poems, with a descriptive-analytical method, the semantic load of colors and symbols in the creation of space was paid attention to, and with a comparative method, the reverse characteristics of his utopia in the poem "Behind the Seas" from the book " Green volume", as well as the characteristics of the strange city that he discussed in the same poem, with the characteristics of the city that Sohrab depicts using the concept of colors and symbols in "Death Color", are examined and compared. The scope and community under study is Sohrab Sepehri"s "Eight Books" published by Tahori Publishing House.
FINDINGS: It seems that the colorless area depicted in his book "Marge Rang", which is indicative of living in a terrifying atmosphere, is dark and full of loneliness, and the poet made it with symbols and dark colors with a negative meaning. This space can be compared with the "strange city" that the poet emphasizes on remembering and moving away from in the poem "poshte Daryaha" from the book "Hajme Sabz".
CONCLUSION: The reason for the higher frequency of the color black and its equivalent meanings in "Marge Rang" is that the poet equated the colorlessness and death of colors with blackness and darkness; The city that we see in this book with negative symbols and the predominant color of black is his anti-ideal city, which is the translation of colorlessness.
Keyword
Sohrab
, Sepehri
, Utopia
, anti- Utopia
, Marge Rang.
- A) Books
- Anoushe, Hassan. (2002), Encyclopaedia of Persian Literature, second edition, Tehran: Ministry of Culture and Islamic Guidance, Printing and Publishing Organization,P. 32
- Jobs, Grotrud. (1370). Symbols. Translated by Mohammad Reza Bagapour. Tehran: Translator, p. 106
- Mossadegh, Hamid, (1389), collection of poems, 11th edition, Tehran: Negah, pp. 681-680
- Sepehri, Sohrab, 1387, Hasht Kitab, Tehran: Tahori Publications, pp. 1-463
- Zamordi, Hamira, (2012), comparative criticism of religions and mythology in Ferdowsi's Shahnameh, Khamseh Nizami and Logiq al-Tayer, Ch: 3, Tehran: Zovar.P. 224
- b) Publications
- Haq Lasan, Massoud; Abbaszadeh, Zahra; Islampour, Mohammad Hossein. (2017). "Ideas of Utopia and Anti-Utopia from the perspective of contemporary Iranian poetry experts (Sohrab Sepehri and Fereydon Moshiri)", Bagh Nazar Monthly, No. 15.
- Moradi, Hossein, Khordad 2013, movement in the distance in the poems of Sohrab Sepehri, scientific quarterly of interpretation and analysis of texts of Persian language and literature (Dehkhoda, volume 6, number 19, page 171-147).
- Nemati, Farooq. (2011). In search of nowhere. Journal of Persian Language and Literature of Sanandaj Azad University, number 12.
- Montazami, Ali; Nowrozi, Ali; Ahmadi Chenari, Ali Akbar.( 2010 )The thought of Armanshahr in the poem "Ali Basat al-Reih", Fouzi Maalouf, Arabic Language and Literature Magazine.