volume Number 12، number In Volume 1، Spring 2019 ، issue Number 43

Stylistics of i Esmail Shahroodi’s Poem

Amir Hosein Hemmati (Author in Charge), Leila Khalili Sarafi , Hosein Khosravi

Abstract
Esmail Shahroodi (Ayandeh), was a pioneer in contemporary new-poem and effective in socio-political poems. As one of the Nima Yushij’s real followers, he enthusiastically started twrite and publish his own poems in 1325. Therefore, to know modern Persian poems and style of this era it is needed to scrutinize the poems of this poets. To do so, in the present article, using library sources, following descriptive-analytical method and based on theoretical research the poem and thinking style of this poet were investigated. The main characteristics of Shahroodi’s poem style were mentioned and analyzed. The results indicated that regarding the thinking level, the poet was deeply affected by “commitment” , and was later departed from this atmosphere. The poet also had used strategies like repetition, nostalgia, simile, metaphor, and symbolism at literal and language level.

Keyword
Stylistics , Esmail Shahroodi , Thinking Level , Literal and Language Levels

• Lajevardi, Habib (1990), Trade Unions and Authoritarianism in Iran, translated by Zia Sadeghi, Tehran: New Publisher
• Shafiee Kadkani, Mohammad Reza (2011), Periods of Persian poetry from constitutionalism to the fall of the monarchy. Tehran: Sokhan
• Safavi, Kourosh (2011), From Linguistics to Literature, Tehran: Surah Mehr
• Shamisa, Sirus (2002), Introduction to Prose and Rhyme, Third Edition, Tehran: Ferdows
• Abrahamian, Yarvand (2008), Iran between two revolutions: from the Constitution to the Islamic Revolution, Translated by Kazem Firoozmand, Hassan Shams Ori and Mohsen Modir Shanehchi, Tehran: Markaz Publisher
• Mojabi, Javad (2002), Morning Mirror: Humor and Epic in the Works of Ahmad Shamloo, Tehran:Fasle sabz Publisher
• Vahidian Kamyar, Taghi (2004), Innovative from an Aesthetic Perspective, Second Edition, Tehran: Samat
• Shamisa, Sirus (2011), Bayan, fourth edition, Tehran: Mitra
• Langroudi, Shams (1998) Analytical History of New Poetry, Second Edition, Tehran: Markaz Publisher
• Zarghani, Mehdi (2012), The Perspective of Contemporary Iranian Poetry: The Flow of Iranian Poetry in the Twentieth Century, Tehran: SalesPublication
• Zarrinkoob, Hamid (1979), The Perspective of New Persian Poetry, Tehran: Toos
• Ghiasi, Mohammad Taghi (1989), An Introduction to Structural Stylistics, Tehran: Sholeh Andisheh Publications
• Babachahi, Ali (2008), More Beautiful Than Madness: The Life and Poetry of Ismail Shahroudi, Tehran:Sales Publication
• Bahar, Mohammad Taghi (1370), Stylistics, Tehran: Amirkabir
• Fotouhi, Mahmoud (2012), Stylistics: Theories, Approaches and Methods, Tehran: Sokhan
• Aminpour, Qaisar (2007), Tradition and Innovation in Contemporary Poetry, Tehran: Elmi va Farhangi Publication
• Abbas, Ehsan (2009), Poetry and Mirror: Poetry Theory and Poetry Schools, translated by Hassan Hosseini, Tehran: Soroush
• Braheni, Reza (1992), Gold in Copper (in Poetry), Tehran:Nevisande Publisher
• Shamisa, Sirus (2001), Generalities of Stylistics, Tehran: Ferdows
• Kornforth, Morris (1979), Communism and Human Values, Navai Translation, Tehran: Alam Publisher
• Eagleton, Terry (2004), Marxism and Literary Criticism, translated by Akbar Masoum Beigi, Tehran:Digar Publisher
• Vardanak, Peter (2010), Fundamentals of Stylistics, translated by Mohammad Ghaffari, Tehran: Ney Publisher
• Natel Khanlari, Parviz (1988), The weight of Persian poetry, Tehran: Toos