Omid MajdJournal of the stylistic of Persian poem and prose (JSPPP) 3060-56603060-6136114020180807A Stylistic Analysis of the Persian Poems of Adib Pishawari بررسی سبکشناسی دیوان اشعار فارسی ادیب پیشاوری175196010.22034/bahareadab.2018.0enFatemeDehghani TaftiPh.D Condidate in Persian Language and Literature, Islamic Azad University, Rudehen yestafti78@yahoo.comMahmoodTavusi Department of Persian Language and Literature, Islamic Azad University, Rudehennotavousi@riau.ac.irShahinUjagh AlizadeDepartment of Persian Language and Literature, Islamic Azad University, Rudehennoojaghalizadeh@riau.ac.irTurajAghdaiDepartment of Persian Language and Literature, Islamic Azad University, Zanjannoaghdaie@riau.ac.irJournal Article00000000Aqa Seyed Ahmad Razavi, also known as Adib Pishawari, is regarded as one of the most distinguished poets of the Persian Constitutional Revolution period. As we know, stylistics is a useful device for identifying the human, scientific, literary and ideological identity of the poet. Hence, in this article, in order for the recognize the perspective of the Poet towards the surrounding world and determine the position of Adib Pishawari’s poems, an attempt has been made to study the stylistic features and the highlights of his poems in three distinct levels of language, literature and thought. The study and investigation of these features depict the fact that Adib Pishawari wrote his poems in 29 meters among which Bahr-e-Ramal and Bahr-e-Sari have the highest and the lowest frequencies. In the rhyming scheme of the poems, the letters “sh” and “r” are mostly set on the surface position, and approximately 88.44% of the poems have Radif in which linking verbs are more frequent. Adib has mostly used archaic and obsolete combinations and he seems to have had special attention to the myths as well as Shahnameh terms. From the linguistic point of view, he has written his poems in Khorasani style. The most and the least frequent literary devices in his poetries are simile and metonymy in respect, and the most functional figures of speech used in his poems are: repetition, pun, symmetry, paradox, hyperbole etc. Attention to the internal and literary rhythm, foregrounding the concepts and themes as well as the artistic and purposeful use of the lingual and literary elements are considered to be the most prominent features of his exclusive style.آقا سیداحمد رضوی مشهور به ادیب پیشاوری یکی از شاعران توانای اهل مشروطیت است؛ سبک شناسی شعر ادیب نشان میدهد که او اشعار خود را در بیست و نه وزن سروده است بیشترین بسامد اوزان متعلق به بحر رمل و کمترین آن مربوط به بحر سریع است در قوافی اشعار بیشتر حرف «ش» و «ر» در جایگاه روی قرار دارد و تقریباً 44-88درصد اشعار دارای ردیفند و ردیف با افعال ربطی بسامد بالاتری دارد. ادیب اغلب ازترکیبات کهن استفاده کرده و به اساطیرو لغات شاهنامه ای توجّه بسیار دارد. از لحاظ زبانی به شیوه سبک خراسانی شعر سروده است.تشبیه در اشعار او بیشترین بسامد و مجاز مرسل کمترین بسامد را دارا هستند و آرایه های پرکاربرد شعر ادیب عبارتند از: تکرار، جناس، مراعات نظیر، تضاد واغراق و... . توجّه به موسیقی درونی و ادبی، برجسته سازی مفاهیم و مضامین، استفاده هنرمندانه و هدفمند از عناصر زبانی و ادبی از ویژگیهای بارز سبک وی بشمار میایند.اديب پيشاوري, سبکشناسي, موسيقي, زبان, صنايع لفظي, بسامدAdib Pishawari, Stylistics, Rhythm, Language, Figures of Speech, Frequencyhttps://bahareadab.com/downloadPDF/715.pdfhttps://bahareadab.com/downloadPDF/715.pdfhttps://bahareadab.com/article/ بررسی سبکشناسی دیوان اشعار فارسی ادیب پیشاوریhttps://bahareadab.com/en/article/A Stylistic Analysis of the Persian Poems of Adib Pishawari