<ArticleSet><Article><Journal><PublisherName>Omid Majd</PublisherName><JournalTitle>Journal of the stylistic of Persian poem and prose (JSPPP) </JournalTitle><Issn>3060-5660</Issn><EIssn>3060-6136</EIssn><Volume>11</Volume><Issue>39</Issue><PubDate PubStatus = "epublish"><Year>2018</Year><Month>04</Month><Day>10</Day></PubDate></Journal><ArticleTitle>The structhural relationship between language and theme in Siiavash</ArticleTitle><VernacularTitle>مهارتهای فردوسی در رابطه ساختاری ِزبان _درونمایه ،بررسی موردی:‌‌ داستان سیاوش</VernacularTitle><FirstPage>187</FirstPage><LastPage>205</LastPage><ELocationID EIdType="pii">0</ELocationID><ELocationID EIdType="doi">10.22034/bahareadab.2018.0</ELocationID><Language>en</Language><AuthorList><author><FirstName>Seyed farzin</FirstName><LastName>Rasaei</LastName><Affiliation>Ph.D. student of Persian Language and Literature, Gorgan Branch, Islamic Azad University, Gorgan, Iran</Affiliation><coreauthor>no</coreauthor><email>rasaeitv@yahoo.com</email></author><author><FirstName>Hassanali</FirstName><LastName>Abbaspour esfeden</LastName><Affiliation>Assistant Professor of Persian Language and Literature, Gorgan Branch, Islamic Azad University, Gorgan, Iran</Affiliation><coreauthor>yes</coreauthor><email>h.abbaspouresfeden@gmail.com</email></author></AuthorList><PublicationType>Journal Article</PublicationType><History><PubDate PubStatus="received"><Year>0000</Year><Month>00</Month><Day>00</Day></PubDate></History><Abstract>In order to study and understand the
meaning, concept, and the theme of an artistic and literary work , there have
been applied, and tested , many various approaches.The focus on language, and
context, which is a structural method, has based on formalism ( structuralism)
thoughts.In Iran , there are different tryings, to get a cohesive relation,
between form and content, as linguistics and literary ways. These studies, are
based on the Aristotale principles, the structuralist rhetorician, Jorjani, the
ideas of Russian formalism, and the new methods in psychological and structural
studies. 

Shahnameh, is the most outstanding,
classical, and valuable Persian masterpiece.Shahnameh, with a theme of
mythologic, heroic, and historical, in a fictional texture, full of conflicts,
dialogues , monologues , narrative tellings with different tones, the conflicts
in words and fields, full of glorious descriptions.Although the theme of life,
passion and joy, are governing over the most of epics in shahnameh, but
the theme of tragic death, also can be found there.Siavash, is one of the most
tragic,not just in Iran , but in the world.These structural
characteristics, has made the story, as one of the best tragic :The structural
coherence , the harmony between form and theme , different conflicts, the
causative relation between incidents, characteraization ,the tone and
p.o.v.of narrator in telling .Although, the language is performing its
duty, in telling the story and the epic , it is fulfing its artistics function
in the best form.

This survey, is trying to find, and define the relation between
the language and theme.Because of the unique nature of the text, the writer is
emphasizing, on the mythological and historical cotext .The researcher believes
that, the whole psychological aspects of the charactors, can be manifested
through form (language) and the p. o.v., and the tone of narrator.This relation
can be defined through description of different layers of
language:phonology,morphology, syntax,semantics,and pragmatics.</Abstract><OtherAbstract Language="fa">یافتن پیوندی منسجم بین
برون (صورت) و درون (محتوی) ،که تلاشی ادیبانه و زبانشناسانه است،در مطالعات هنری
و ادبی ایران ،با بهره گیری از اصول شعر ارسطو،نظر بلاغیونی ساختگرا چون عبدالقاهر جرجانی ،صورتگرایان روس و شیوه های نو در مطالعات ساختارشناسانه و روانشناسی ،
همواره وجود داشته است شاهنامه ، اثر برجسته حماسی - کلاسیکِ زبان ارجمند فارسی
است . سیاوش، یکی از زیباترین غمنامه های شاهنامه ،ایران و جهان است. سیاوش از
لحاظ انسجام ساختاری ، هماهنگی صورت ودرونمایه ، وجود انواع کشمکش در داستان ،
رابطه علی میان حوادث ، شخصیت پردازی ، لحن راوی در تناسب با حوادث ، یک داستان
تمام عیار است ؛در عین اینکه ، زبان و واژه ها در خدمت نظم حماسیند ، کارکرد هنری
خود را به بهترین شکل انجام میدهند. این پژوهش، به تعریف رابطه بین صورت زبانی و
درونمایه داستان سیاوش میپردازد. تحقیق ، میگوید که ،از نظر ساختاری بین درونمایه
داستان و صورتِ زبان وبیان ،رابطه ای مشخص برقراراست . این رابطه از طریقِ توصیف
لایه های مختلف آوایی ، واژگانی ،نحوی ، معنایی و کاربردی ممکن میباشد.</OtherAbstract><ObjectList><Object Type="keyword"><Param Name="value">shahnameh</Param></Object><Object Type="keyword"><Param Name="value">Siiavash</Param></Object><Object Type="keyword"><Param Name="value">structure</Param></Object><Object Type="keyword"><Param Name="value">form</Param></Object><Object Type="keyword"><Param Name="value">theme</Param></Object><Object Type="keyword"><Param Name="value">language</Param></Object></ObjectList><keywords>شاهنامه, سیاوش, ساختار, صورت, زبان, درونمایه</keywords><keywords_fa>shahnameh, Siiavash, structure, form, theme, language</keywords_fa><ArchiveCopySource DocType="pdf">https://bahareadab.com/downloadPDF/11.pdf</ArchiveCopySource><web_url_pdf>https://bahareadab.com/downloadPDF/11.pdf</web_url_pdf><web_url Language="fa">https://bahareadab.com/article/مهارتهای فردوسی در رابطه ساختاری ِزبان _درونمایه ،بررسی موردی:‌‌ داستان سیاوش</web_url><web_url Language="en">https://bahareadab.com/en/article/The structhural relationship between language and theme in Siiavash</web_url></Article></ArticleSet>