Journal of the stylistic of Persian poem and prose
volume Number 17، number In Volume 6، September 2024 ، issue Number 100

Analysis of the stylistic features of Gul Mohammad Khan Zeib Magasi's poems

Mojib al-Rahman Dehani , Abbas Nikbakht (Author in Charge), Abdullah Vacegh Abbasi

Abstract

BACKGROUND AND OBJECTIVES: Gul Mohammad Khan Zeib Magasi is one of the powerful Baloch poets who wrote beautiful poems in Persian language. In this research, the style of his poems has been examined in terms of language, literature, music and thought.

METHODOLOGY: Ethods: The present research was carried out using a descriptive-analytical method based on library sources, and its statistical population includes two books, Zeib Namah and Kharineh al-Ashaargol, Mohammad Khan Zeib Magasi.

FINDINGS: His poetry is simple in terms of language and in terms of vocabulary, 56% of the words in his poems are in Persian language, and the special dialect of Balochi can be seen in the use of some words. Some of his poems have epic language as well as mystic and Qalandari words. From a musical point of view, the poet has often experimented and invented new tunes, so there is a wide variety of prosody weights in his poetry. In terms of side music, about 37% of his sonnets have lines and he often uses repeated lines. The abundance of expressive arrays of similes and metaphors from a literary point of view is so great that 65% of his similes are sensory, and comparing the types of similes, we see the highest frequency of that simile and the lowest frequency of complete simile. Also, the metaphor of Makaniyyah has a higher frequency than that of Masraha. Innovative arrays such as hint, contrast, similitude, pun, phonetic arrangement and repetition are also frequent in his poetry. Comparing the types of repetition, the frequency of word repetition is about 55%, which is considered a high frequency. From the intellectual point of view, his poetry is mostly spiritual, mystical and romantic, and instructive components and social elements are also among the content elements of his poetry. In his overall view, he has many structural innovations, and intellectually, he is influenced by the mystical, Qalandari and romantic poetry of previous poets.

CONCLUSION: Conclusion: Gul Mohammad Khan Zeib Magasi"s poetry, while simple, is full of artistic uses of literary arts, and its innovative point is in the use of different weights and the invention of fresh bahor, all of which serve to express romantic, mystical and educational themes.

Keyword
Zaib Magasi , stylistics , music , content , Benmayeh.

• Batani, Mohammad Reza (1381) Description of the grammatical structure of the language, Tehran: Amirkabir. P:2-3.
• Bahar, Mohammad Taghi (1346) Stylistics, Tehran, Amir Kabir p:18
• Sarvatian, Behrooz (2007) expression in Persian poetry, Tehran: Surah Mehr.p:87
• Khoramshahi, Bahauddin (1385); "Hafeznameh", 11th edition/2nd edition, Tehran: Scientific and Cultural Publishing Company ,p:1173
• Dehkhoda, Ali Akbar (1373) Dehkhoda dictionary, Tehran, University of Tehran
• Zarin Koob, Abdul Hossein (1350) Iran's Mystical Literature and Its Human Value, Tehran University Faculty of Literature and Humanities Journal, 18th year, Volume 3, pp. 109-151
• Zeib Magsi, Gul Mohammad (1996), Khazineh al-Ashar, with an introduction by Professor Sharaft Abbas, Baluchistan Persian Society.
• ...................................... (1995 AD) Zeib Nameh, introduction by Professor Sharaf Abbas , Balochistan: Balochistan Persian Society.
• Shafi'i Kodkani, Mohammad Reza (2010) Imagination in Persian poetry, Tehran, Agha,p:150
• Shafiei Kodkani, Mohammad Reza (1386), music of poetry, Tehran: Aghaz. P: 392.
• Shamisa, Siros. (1384) Generalities of stylistics, Tehran: Mitra ,p. 18, 87-89, 94, 98, 269.
• ..........................(1381) Bayan, Tehran, Ferdous, Ch9 ,58.
• Abbas, Seyyed Sharaft, Baluchistan Min Farsi Poet of Five Years, Quetta, Kozhek Pilshers, 1999. P:14.
• Falki, Mahmoud (2010) A look at Shamlou's poetry, Tehran: Marwarid. P:66.
• Kausar, Inam-ul-Haq, Baluchistan Main Persian Poetry, Quetta, Balochi Academy, 1968. P:160.
• Mahjoub, Mohammad Jafar (Beita) Khorasani style in Persian poetry, Tehran: Ferdous and Jami. P:17.
• Musaheb, Gholamhossein, Persian Encyclopedia, second volume, second part, third edition, Tehran: Amirkabir
• Volek, Rene (1379) History of New Literary Criticism, Volume 2, translated by Arbab Shirvani, Tehran, Nilofar,p:273.