<ArticleSet><Article><Journal><PublisherName>امید مجد</PublisherName><JournalTitle> ماهنامه علمی سبک شناسی و تحلیلی متون نظم و نثر فارسی </JournalTitle><Issn>3060-5660</Issn><EIssn>3060-6136</EIssn><Volume>8</Volume><Issue>30</Issue><PubDate PubStatus = "epublish"><Year>2016</Year><Month>02</Month><Day>07</Day></PubDate></Journal><ArticleTitle>Application of Unified Style of Creative Writers In Stylistic Classification of Persian Prose</ArticleTitle><VernacularTitle> کارکرد سبک فردی نویسندگان مبدع و خلّاق در طبقه بندی سبکی نثر فارسی</VernacularTitle><FirstPage>0</FirstPage><LastPage>0</LastPage><ELocationID EIdType="pii">0</ELocationID><ELocationID EIdType="doi">10.22034/bahareadab.2016.0</ELocationID><Language>fa</Language><AuthorList></AuthorList><PublicationType>Journal Article</PublicationType><History><PubDate PubStatus="received"><Year>0000</Year><Month>00</Month><Day>00</Day></PubDate></History><Abstract>The survey of Persian prose has passed the deep,
visible revolutions in the style history, besides the internal and external
factors in the text. The creative writers is one of these factors in the style.
The encourage of deconstruction of constant, stylistic rules shows the writer’s
skills to imitate other contemporary writers and it is one of the factors by
which the creative writer has influenced on the stylistic prose, and it
revolutionizes the common prose of contemporary age as well as whole of history
of prose. There is almost no study concerning with the deep role of unified
style of creative writer in classification of Persian prose, this study is
based on descriptive-analysis to assign the affective goal of it among creative
writers in style, in every career, and every Persian text since beginning until
contemporary age, it has been classified here.Therefore the individual style of
these inventive writers had overshadowed the style of the period which can be a
new pattern for the analysis of Persian prose style, and this study delineates
this pattern. The results show that Abu Ali Mohammad Balami, Abolfazl Beyhaghi,
Nasrolah monshi, Sadi Shirazi, Ghaem Magham Farahani are most affective writers
in the survey of Persian prose, this study concerns with five writers.</Abstract><OtherAbstract Language="fa"></OtherAbstract><ObjectList><Object Type="keyword"><Param Name="value"> سبک نثر</Param></Object><Object Type="keyword"><Param Name="value"> سبک‌شناسی</Param></Object><Object Type="keyword"><Param Name="value">طبقه‌بندی نثر</Param></Object><Object Type="keyword"><Param Name="value"> سبک فردی مبدع و خلّاق</Param></Object><Object Type="keyword"><Param Name="value"> نویسندگان مبدع و خلّاق.</Param></Object></ObjectList><keywords> سبک نثر,  سبک‌شناسی, طبقه‌بندی نثر,  سبک فردی مبدع و خلّاق,  نویسندگان مبدع و خلّاق.</keywords><keywords_fa>Prose Style,  Stylistics,  The classification of Prose,  Unified,  Created Style,  Creative Writers</keywords_fa><ArchiveCopySource DocType="pdf">https://bahareadab.com/downloadPDF/148.pdf</ArchiveCopySource><web_url_pdf>https://bahareadab.com/downloadPDF/148.pdf</web_url_pdf><web_url Language="fa">https://bahareadab.com/article/ کارکرد سبک فردی نویسندگان مبدع و خلّاق در طبقه بندی سبکی نثر فارسی</web_url><web_url Language="en">https://bahareadab.com/en/article/Application of Unified Style of Creative Writers In Stylistic Classification of Persian Prose</web_url></Article></ArticleSet>