BACKGROUND AND OBJECTIVES: The third Masnavi of Haft Aurang is called Nooruddin Abdolrahman Jami, Tahfa al-Ahrar. In this article, the stylistic features of this system in three areas of language, literature and thought have been studied.

METHODOLOGY: This article is based on library studies and has been done in a descriptive-analytical manner.

FINDINGS: This Masnavi is a moral-religious poem that has been written in imitation of the repository of military secrets in the fast weight of the revelation: Muftalan, Muftalan, Fa"lan. And the five conversations with the old man enter the main part of the book, the twenty articles.

CONCLUSION: This poem has a simple language, but a warning tone, a mystical expression based on Ibn Arabi"s intellectual system, ie unity of existence, monotheism, purification and simile, and in it the religious content and principles of religion (prayer, fasting, zakat and Hajj) issues of theoretical mysticism (Sohr). Silence and seclusion) are also seen. The subject of most of the articles is religious, moral and to some extent mystical, but there are also articles in the form of social and political criticisms using the language of advice and warning to sections of society. The educational-ethical issue, the use of simple language and its specific audience, has made this system not have a special place in terms of literature. From a linguistic point of view, the use of balance, commitment, reflection of additions and melodic poems are among the prominent features of this system.